|
Parameters | Accepted Values | Description | Default | Since |
---|---|---|---|---|
(body of plugin) | The footnote | |||
class |
Add class to footnotearea | 14.0 | ||
sameas |
Tag to existing footnote number | 5.0 | ||
sameastag |
Tag to existing footnote by its Tag | 15.0 | ||
scheme |
Segregate footnotes by class in footnotearea. Apply different numbering style (optional) | 17.0 | ||
tag |
Tag footnote with unique identifier | 15.0 |
The parameters are optional for these plugins (nothing is required between the parentheses) but here are the steps that need to be followed for them to work:
First, input the Footnote plugin syntax following the text you want footnoted:
Text to be footnoted{FOOTNOTE()}Footnote text to be displayed elsewhere{FOOTNOTE}
Text to be footnoted{footnote(sameas="1")}{FOOTNOTE}
Second, add the Footnotearea plugin syntax to display the footnotes at the end of the page:
{footnotearea}
Note: the sameas parameter has the big issue that adding a new footnote above the other footnotes requires that you renumber all sameas footnotes below the new footnote.
Starting at Tiki15, the sameastag parameter allows tagging footnotes for later reuse.
Text to be footnoted{footnote(tag="t1")}Footnote text to be displayed elsewhere{FOOTNOTE}
Text to be footnoted{footnote(sameastag="t1")}{FOOTNOTE}
Second, add the Footnotearea plugin syntax to display the footnotes at the end of the page:
{footnotearea}
This code:
In Blume's outdated view, the Classic period of music{FOOTNOTE()}Sometimes dated from 1740 to 1828, from when C.P.E. Bach began service in the court of Frederick the Great to when Schubert died. {FOOTNOTE} used rhythm "with the finest nuance and sensibility,"{FOOTNOTE(tag="fblume")}Friedrich Blume, ''Classic and Romantic Music: a Comprehensive Survey'', trans. M.D. Herter Norton (New York: W.W. Norton and Co., Inc., 1970), p. 133.{FOOTNOTE} whereas Schubert and the Romantics often used rhythm in repetitive, stereotyped patterns."{FOOTNOTE()}''Ibid''.{FOOTNOTE} It is now recognized that those features of Schubert's work which give us such pleasure rest on a magnificently concieved and executed sense of tonal architecture. Duplicate footnotes section: This is to show examples of the -+sameas+- and -+sameastag+- parameters {FOOTNOTE(sameastag="1")}{FOOTNOTE} {FOOTNOTE(sameastag="fblume")}{FOOTNOTE} and check duplicates {FOOTNOTE()}''Ibid''.{FOOTNOTE} {FOOTNOTE(class="translator")}translator notes{FOOTNOTE} {FOOTNOTE(class="author")}author notes{FOOTNOTE} %%% %%% {footnotearea}
Would produce :
In Blume's outdated view, the Classic period of music1 used rhythm "with the finest nuance and sensibility,"2 whereas Schubert and the Romantics often used rhythm in repetitive, stereotyped patterns."3 It is now recognized that those features of Schubert's work which give us such pleasure rest on a magnificently concieved and executed sense of tonal architecture.
Duplicate footnotes section:
This is to show examples of the sameas
and sameastag
parameters 1
2
and check duplicates 4
5
6